EventsThe Design Legacy of Isamu Noguchi

The Design Legacy of Isamu Noguchi

August 1, 2026 | 2–3 p.m.
Location: High Museum of Art, The Hill Auditorium

Isamu Noguchi with model for Lever House courtyard, 1952. Photo by Charles F. Uht / The Noguchi Museum Archives, 03806. © 2026 The Isamu Noguchi Foundation and Garden Museum, New York / Artists Rights Society (ARS), New York.

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How do Noguchi’s designs and ideas surrounding world building still influence the work of contemporary designers? Join co-curators Monica Obniski and Marin Sullivan in conversation with Nifemi Marcus-Bello, owner of nmbello Studio in Lagos, Nigeria, Leonidas Trampoukis, co-founder of Objects of Common Interest in New York and Athens, Greece, and Amy Auscherman, Director of Global Archives and Brand Heritage at MillerKnoll. Together they will explore the enduring design legacy of one of the 20th century’s most prolific creative minds, Isamu Noguchi.

Speakers

Nifemi Marcus-Bello

Nifemi Marcus-Bello is a designer whose practice bridges commercial and artistic disciplines. His work is guided by a philosophy that values intuition, resourcefulness, and deep engagement with context. Nifemi’s strength lies in his exploration of materials and his fearless pursuit of new forms and typologies, resulting in truly distinctive products and experiences.

His work and design contributions are held in the collections of major institutions including the Museum of Modern Art (MoMA), the Brooklyn Museum, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the Design Museum London, among others.

He is the recipient of several international honors, including a Special Mention at the Loewe Craft Prize, the Hublot Design Prize, Monocle’s Emerging Designer Award, and was shortlisted for the Wallpaper* Designer of the Year Award in 2026.

Nifemi Marcus Bello Headshot

Leonidas Trampoukis

Leonidas Trampoukis is a designer and architect, and a founding partner of the interdisciplinary studio Objects of Common Interest, established in 2016 with Eleni Petaloti. Based between New York and Athens, his work explores the intersection of art, design, and architecture through sculptural objects, immersive environments, and large-scale installations. He is also co-founder of LOT Office for Architecture.

Trampoukis holds an M.S. in Architecture from Columbia University and degrees from the Aristotle University of Thessaloniki and the École Nationale Supérieure d’Architecture de Paris-La Villette. He previously held leadership roles at Skidmore, Owings & Merrill (SOM) and Fernando Romero Enterprise (FR-EE).

His work has been exhibited internationally at institutions including the Noguchi Museum, MAXXI, the Vitra Design Museum, and the Design Museum Brussels. He has lectured widely and received major honors, including the ELLE DECO International Design Award (2024) and the Wallpaper* Design Award (2026).

Leonidas Trampoukis Headshot

Amy Auscherman

Amy Auscherman is Director of Archives and Brand Heritage at MillerKnoll, where she oversees the corporate archives of Herman Miller, Knoll, and the collective’s brands. In 2025, she led the opening of a facility that brought the historic archives of Herman Miller and Knoll together for the first time, spanning the development of modern design in America. In her role, the archive is an active part of the company’s operations. It shapes how new products are developed, guides which past designs return to production, and grounds how MillerKnoll understands its own history. 

Auscherman contributed to the catalog for Isamu Noguchi: “I Am Not a Designer” (Rizzoli Electa, 2026), as well as Lella and Massimo Vignelli: A Language of Clarity (Electa, 2026), Eventually Everything Connects: Mid-Century Modern Design in the US (Phaidon Press, 2025), and Serious Play: Design in Mid-Century America (Yale University Press, 2018). She co-edited Herman Miller: A Way of Living (Phaidon Press, 2019) and holds a Master of Library Science and a B.A. in Art History from Indiana University. 

Amy Auscherman Headshot

Marin R. Sullivan

Marin R. Sullivan, PhD, is a Chicago-based art historian, curator, consultant, educator, and writer. She specializes in the histories of modern and contemporary sculpture, especially its interdisciplinary, intermedial dialogues with photography, design, and the built environment. She is the author of Sculptural Materiality in the Age of Conceptualism (Routledge, 2017) and Alloys: American Sculpture and Architecture at Midcentury (Princeton University Press, 2022), which was supported by fellowships from the Smithsonian American Art Museum and the Crystal Bridges Museum of American Art. She has edited and contributed to numerous essays for exhibition catalogues and edited volumes, and articles in publications including American Art, Art History, History of Photography, the Journal of Curatorial Studies, and Sculpture Journal. Sullivan is the Director of Research and Programs for the George Rickey Foundation and was previously Director Research for the Harry Bertoia Foundation. Recent curatorial projects include Harry Bertoia: Sculpting Mid-Century Modern Life (Nasher Sculpture Center), Edgar Miller: Anti-Modern, 1917-1967 (DePaul Art Museum), and Luftwerk: COLORSCAPES (Cheekwood Estate & Gardens). Sullivan is currently at work on a biography of the artist-designer Claire Falkenstein (forthcoming, Getty) and is the co-curator of Isamu Noguchi: “I am not a designer” at the High Museum of Art. 

Marin Sullivan Headshot

Monica Obniski

Monica Obniski is Curator of Decorative Arts and Design at the High Museum of Art, Atlanta, where she oversees a global design collection, exhibitions, and an annual architectural piazza commission. Her curatorial work, grounded in architecture and design history, explores the intersection of design and social issues. She has organized numerous exhibitions, including Sonya Clark: We Are Each Other (2023–24) and Stephen Burks: Shelter in Place (2022–23), and co-organized international projects such as Scandinavian Design and the United States (2021–23) and Serious Play: Design in Midcentury America (2017–18). 

Obniski has engaged deeply with the work of Isamu Noguchi through research and exhibitions, including Serious Play, and has been developing a Noguchi-focused project since 2018. Previously, she held roles at The Metropolitan Museum of Art, the Art Institute of Chicago, and the Milwaukee Art Museum. She holds a master’s from the Bard Graduate Center and a PhD from the University of Illinois, Chicago. 

Monica Obniski Headshot