Day With(out) Art 2024: Red Reminds Me
November 30, 2024 | 10 a.m.–4:30 p.m.
Location: High Museum of Art
Mariana Iacono and Juan De La Mar, El VIH se enamoró de mi (HIV Fell in Love With Me), 2024. Commissioned by Visual AIDS for Red Reminds Me…
Free with museum admission
Get TicketsMembers: Free
Not-Yet-Members: $23.50
The High Museum of Art is proud to partner with Visual AIDS for Day With(out) Art 2024 by presenting Red Reminds Me…, a program of seven videos reflecting the emotional spectrum of living with HIV today.
Red Reminds Me… features newly commissioned videos by Gian Cruz (Philippines), Milko Delgado (Panama), Imani Harrington (United States), David Oscar Harvey (United States), Mariana Iacono and Juan De La Mar (Argentina/Colombia), nixie (Belgium), and Vasilios Papapitsios (United States).
Through the red ribbon and other visuals, HIV and AIDS have been long associated with the color red and its connotations: blood, pain, tragedy, and anger. Red Reminds Me… invites viewers to consider a complex range of images and feelings surrounding HIV, from eroticism and intimacy, mothering and kinship, luck and chance, and memory and haunting. The commissioned artists deploy parody, melodrama, theater, irony, and horror to build a new vocabulary for representing HIV today.
The title is drawn from the words of Stacy Jennings, an activist, poet, and long-term survivor with HIV, who writes, “Red reminds me, red reminds me, red reminds me . . . to be free.”* Linking “red” to freedom, Jennings flips the usual connotations of the color and offers a new way of thinking about the complexity of living with HIV. Just as a prism bends and refracts light, Red Reminds Me… expands the emotional spectrum of living with HIV. It shows us that while grief, tragedy, and anger define parts of the epidemic, the full picture contains deeper, nuanced, and sometimes contradictory feelings.
The screening will take place in the Anne Cox Chambers Wing Lobby. Access to the screening is included with museum admission.
Visual AIDS is a New York–based nonprofit that uses art to fight AIDS by provoking dialogue, supporting HIV+ artists, and preserving a legacy—because AIDS is not over.
*Jennings recites this poem in the video Here We Are: Voices of Black Women Who Live with HIV, created by Davina “Dee” Conner and Karin Hayes for Day With(out) Art 2022: Being and Belonging.
Artist Biographies
Gian Cruz (he/him) is a Filipino artist, researcher, and arts worker. His artistic practice is rooted in photography, art theory, and criticism and intersects with cinema, performance, and HIV/AIDS activism within Southeast Asian frameworks. He has worked with the National Museum of Modern and Contemporary Art, Korea; Jeu de Paume, Paris; Picto Foundation, Paris; Palais Galliera, Paris (Musée de la Mode de la Ville de Paris); La Biennale di Venezia; the Japan Foundation; Haus der Kulturen der Welt, Berlin; Bienal de Curitiba; Blackwood Gallery, Toronto; Pride Photo Award, Amsterdam; and 4A Centre for Contemporary Asian Art, Sydney.
Juan De La Mar (they/them) is a lawyer, HIV+ activist, and artist from Colombia. Their documentary debut, De Gris a POSITHIVO, has won sixteen awards and screened at fifty-two festivals worldwide. De La Mar has performed at the Bogotá Museum of Modern Art (MAMBO) and were selected as the 2024 HIV Culture Residency at the Centro de Arte Contemporáneo de Quito. As an activist, they have worked with the Latin American HIV-Positive Youth Network (J+LAC), and they currently coordinate Bogota’s Fast-Track Cities strategy to accelerate the response to HIV/AIDS.
Milko Delgado (he/him) is a transdisciplinary artist whose cultural practice integrates various forms of research and knowledge production, primarily within the realms of visual arts, video, performance, pedagogy, and cultural management. Delgado’s work explores the intersections between boys and nature, opening dialogue about identity, coloniality, extraction, health, and land. Delgado graduated from the International School of Film and Television (EICTV) in Cuba. His work has been exhibited at el Museo de Arte Contemporáneo de Panamá, TEOR/ética (Costa Rica)/Fresh Milk (Barbados), New York Latin American Art Triennial, and the Center for Visual Art (Denver).
Imani Harrington (she/her) is a writer, author, and conceptual artist who has documented the conditions of women since the age of twenty-five. She was an editor for the anthology Positive/Negative: Women of Color and HIV/AIDS: A Collection of Plays (2002), and her play Love & Danger (1995) was among the first to address women and HIV. Her other titles include The Communal Plays and Other Narratives, On Writing I, ISSHOWAT, and House of Leaven.
David Oscar Harvey (he/him) is a psychotherapist and psychoanalyst-in-training living in Philadelphia. His essay film on HIV criminalization, RED RED RED, has screened at film festivals and art spaces internationally. His writing on identity, HIV/AIDS, and film and media have appeared in numerous publications. He is an active member in the artist and activist collective What Would an HIV Doula Do?.
Mariana Iacono (she/her) is a social worker, media activist, and educator who has worked with networks of people living with HIV in Latin America and the Hispanic Caribbean for more than ten years. She is a cofounder of several HIV organizations in Argentina including Argentine Network of Positive Youth and Adolescents (RAJAP), RAP+30, and Latin American HIV-Positive Youth Network (J+LAC). She currently manages promotion and communication strategy for J+LAC, focusing on feminist issues and building a coalition of young people toward Cairo+20. Iacono’s writing has been published in Volcánicas, Midia Ninja, Vice, Anfibia, Tiempo Argentino, Hoja Blanca, and Revista Nómada.
nixie (she/they) is a transfemme HIV+ multimedia artist, writer, and parent based in Belgium. Her artwork has addressed HIV and genealogy, consent in gay spaces, the joy of parenthood, mourning, and the celebration of loss. She works mainly through mediums of text, video, performance, textiles, and painting.
Vasilios Papapitsios (they/he) is an LA-based writer, filmmaker, and artist originally from the South whose work transmutes stigma and trauma with a flair for the fantastical. Papapitsios has contributed to projects for MasterClass, AwesomenessTV, and Emmy-nominated intersectional media platform OTV | Open Television. They were recognized as a Notable Writer in the 2021 OUTFEST screenwriting lab and as an artivist storyteller in residence with UCLA’s Through Positive Eyes. They create very strange, frank, and whimsical worlds for us to wander off in, blending genres and blurring boundaries within advocacy, education, and entertainment.
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