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Future Exhibitions

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Two side by side photos of an older woman sitting in church pews and a young girl sitting in the same location.

Dawoud Bey: An American Project

November 7, 2020–March 14, 2021

Since the beginning of his career in the 1970s, Dawoud Bey (American, born 1953) has used his camera to create poignant meditations on visibility, race, place, and American history. From early street portraits made in Harlem to a recent series imagining an escape from slavery on the Underground Railroad, Bey explores photography’s potential to reveal communities and stories that have been underrepresented or even unseen. Both a form of personal expression and an act of political responsibility, Bey’s art insists on the power of photography to transform stereotypes, convene communities, and create dialogue.

Dawoud Bey: An American Project traces these through lines across the forty-five years of Bey’s career and his profound engagement with the young Black subject and African American history. The title intentionally inserts his photographs into a long-running conversation about what it means to represent America with a camera. The questions of who is considered an American photographer, or simply an American, and whose story is an American story are particularly urgent today. Bey’s work offers a potent corrective to the gaps in our picture of American society and history—and an emphatic reminder of the ongoing impact of those omissions.

Click on an image below to learn more.

About Dawoud Bey

Dawoud Bey was born in Queens, New York, and began his career as a photographer in 1975 with a series of photographs, Harlem, USA, that were later exhibited in his first solo exhibition at the Studio Museum in Harlem in 1979.

Since then his work has been featured in exhibitions at numerous institutions worldwide, including the Addison Gallery of American Art, Andover, Massachusetts; the Art Institute of Chicago; the Brooklyn Museum; the Detroit Institute of Arts; the Fogg Museum, Harvard University; the High Museum of Art, Atlanta; the Museum of Contemporary Art, Chicago; the Museum of Contemporary Photography (MoCP), Chicago; the National Gallery of Art, Washington, D.C.; and the Walker Art Center, Minneapolis, among many others.

His photographs are represented in collections worldwide, and his critical writings on photography have appeared in numerous publications and exhibition catalogues. Bey received the prestigious MacArthur “Genius” fellowship in 2017 and is also the recipient of fellowships from the Guggenheim Foundation and the National Endowment for the Arts. He holds a Master of Fine Arts degree from Yale University and is currently Professor of Art and a Distinguished College Artist at Columbia College Chicago, where he has taught since 1998.

Organization and Support

Dawoud Bey: An American Project is co-organized by the San Francisco Museum of Modern Art and the Whitney Museum of American Art, New York.

This exhibition is made possible by

Premier Exhibition Series Sponsors

Delta logo.
Invesco logo.

Exhibition Series Sponsor

Northside Hospital logo.

Premier Exhibition Series Supporters
The Antinori Foundation
Sarah and Jim Kennedy
Louise Sams and Jerome Grilhot
wish Foundation logo.

Benefactor Exhibition Series Supporters
Anne Cox Chambers Foundation
Robin and Hilton Howell

Ambassador Exhibition Supporter
Rod and Kelly Westmoreland

Contributing Exhibition Series Supporters
Lucinda W. Bunnen
Marcia and John Donnell
W. Daniel Ebersole and Sarah Eby-Ebersole
Peggy Foreman
Mr. and Mrs. Baxter Jones
Joel Knox and Joan Marmo
Margot and Danny McCaul
The Ron and Lisa Brill Family Charitable Trust

Generous support is also provided by
Alfred and Adele Davis Exhibition Endowment Fund, Anne Cox Chambers Exhibition Fund, Barbara Stewart Exhibition Fund, Dorothy Smith Hopkins Exhibition Endowment Fund, Eleanor McDonald Storza Exhibition Endowment Fund, The Fay and Barrett Howell Exhibition Fund, Forward Arts Foundation Exhibition Endowment Fund, Helen S. Lanier Endowment Fund, Isobel Anne Fraser–Nancy Fraser Parker Exhibition Endowment Fund, John H. and Wilhelmina D. Harland Exhibition Endowment Fund, Katherine Murphy Riley Special Exhibition Endowment Fund, Margaretta Taylor Exhibition Fund, and the RJR Nabisco Exhibition Endowment Fund.

 

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