ExhibitionsFuture Work: Preserving the Legacy of Art
Future Exhibition

Future Work: Preserving the Legacy of Art

February 12 – May 16, 2027

Amanda Kasman, associate paintings conservator at Atlanta Art Conservation Center. Jimmy Lee Sudduth (American, born Ridge, Alabama, 1910–2007), Woman with Glasses (conservation detail), ca. 1985–1990, mud and sugar or syrup with paint on plywood, High Museum of Art, Atlanta, gift of Linda and Irwin Berman, St. Simons Island, Georgia, 2004.203.

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Museums work to preserve the past for the present and the future. This exhibition presents a selection of case studies from across the High’s collections, showing recent efforts between conservation scientists and other museum professionals that have revealed new information about these works, their materials, and ways to conserve them for future generations.

From delicate works on paper and light-sensitive photographs to bronze sculpture, each object carries inherent challenges to preservation that museum staff must consider, including the best environments for their presentation and storage as well as regular evaluation and treatment. In this behind-the-scenes look at the work of art conservators, curators, and collections staff, visitors will be able to explore the questions asked, the techniques used, and the exciting stories behind rarely seen objects and some of the museum’s most iconic works of art.

Lindsay Ryder, objects conservator and department head at Williamstown Art Conservation Center.

Barbara Hepworth (British, born Wakefield, United Kingdom, 1903–1975), Bronze Form (Patmos) (conservation detail), 1962–1963, cast bronze, High Museum of Art, Atlanta, gift of Ann and Tom Cousins, 2018.244.

A conservator in a white lab coat and blue gloves uses a small tool to examine a large, weathered bronze sculpture.

Amanda Kasman, associate paintings conservator at Atlanta Art Conservation Center.

Jimmy Lee Sudduth (American, born Ridge, Alabama, 1910–2007), Woman with Glasses (conservation detail), ca. 1985–1990, mud and sugar or syrup with paint on plywood, High Museum of Art, Atlanta, gift of Linda and Irwin Berman, St. Simons Island, Georgia, 2004.203.

A conservator uses a handheld magnifying glass to examine the surface of an unframed painting in a studio.

This exhibition is organized by the High Museum of Art, Atlanta.

Major funding for this exhibition is provided by the Sara Giles Moore Foundation.

Premier Exhibition Series Sponsor 

Premier Exhibition Series Supporters

Sarah and Jim Kennedy 

Major Exhibition Series Supporter

The Fay S. and W. Barrett Howell Family Foundation

Major Exhibition Series Sponsor

Benefactor Exhibition Series Supporter

Robin and Hilton Howell

Ambassador Exhibition Series Supporters

Loomis Foundation
Sara and Paul Steinfeld
Mrs. Harriet H. Warren

Contributing Exhibition Series Supporters 

Mary and Neil Johnson
Mr. and Mrs. Baxter Jones
Megan and Garrett Langley
Margot and Danny McCaul
Wade A. Rakes II and Nicholas Miller
Louise Sams and Jerome Grilhot
Lisa Cannon Taylor and Chuck Taylor

Generous support is also provided by 

Alfred and Adele Davis Exhibition Endowment Fund
Anne Cox Chambers Exhibition Fund
Barbara Stewart Exhibition Fund
Dorothy Smith Hopkins Exhibition Endowment Fund
Eleanor McDonald Storza Exhibition Endowment Fund
The Fay and Barrett Howell Exhibition Fund
Forward Arts Foundation Exhibition Endowment Fund
Helen S. Lanier Endowment Fund
John H. and Wilhelmina D. Harland Exhibition Endowment Fund
Katherine Murphy Riley Special Exhibition Endowment Fund
Margaretta Taylor Exhibition Fund
RJR Nabisco Exhibition Endowment Fund