back bounded-next cafe calendar-large calendar cart close coat-check collapse donate download elevators expand explore filter grid-view hamburger heart hours join link list-view location mail more next nursing-room phone print programs ramp restrooms right-arrow search share shop thumbs-down thumbs-up tickets up toilet heart-filled zoom Skip to Content

Future Exhibitions

,

A woman's teary eye is seen through a movie camera's screen.

Our Strange New Land: Photographs by Alex Harris

November 29, 2019–May 3, 2020

The American South has become a nexus of film production in the United States. By 2016, more major features were being shot in Georgia than in California. Alex Harris (American, born 1949) began photographing this wave of filmmaking, focusing his attention on independent productions that were under way from Louisiana to Virginia. Our collective idea of the South has largely been shaped by great storytellers—whether novelists, musicians, or photographers—who endeavored to articulate the layered character of this strange land.

Our Strange New Land: Photographs by Alex Harris is the latest chapter in the ongoing Picturing the South project, for which the High Museum commissions artists to create original bodies of work that offer new perspectives on the South’s social and geographical landscapes.

“We are all actors in our own lives, creating our sets, practicing our lines, refining our characters, performing ourselves.” –Alex Harris

About Alex Harris

For over forty years, Alex Harris has chronicled the lives of people throughout the world, photographing in locations as disparate as the Inuit villages of Alaska, the streets of Havana, the fish markets of Mumbai, and the farms of North Carolina. His interest in film production began in 2007 when he was invited to photograph on the set of Steven Soderbergh’s biopic Che, which was shot on location in Mexico.

In addition to his work as a photographer, Harris is a highly regarded educator and has taught since 1980 at Duke University, where he co-founded the Center for Documentary Studies in 1989. He is also an active editor and curator who has published sixteen books and curated numerous exhibitions. In 1995 he co-founded the magazine DoubleTake, which he edited until 1998.

Organization and Support

This exhibition is organized by the High Museum of Art, Atlanta.

This exhibition is made possible by

Premier Exhibition Series Sponsor

Delta logo.
Invesco logo.

Exhibition Series Sponsors

Northside Hospital logo.

Warner Media logo.

Premier Exhibition Series Supporters
The Antinori Foundation
Sarah and Jim Kennedy
Louise Sams and Jerome Grilhot
wish Foundation logo.

Benefactor Exhibition Series Supporter
Anne Cox Chambers Foundation

Ambassador Exhibition Supporters
Tom and Susan Wardell
Rod Westmoreland

Contributing Exhibition Series Supporters
Lucinda W. Bunnen
Marcia and John Donnell
W. Daniel Ebersole and Sarah Eby-Ebersole
Peggy Foreman
Robin and Hilton Howell
Mr. and Mrs. Baxter Jones
Joel Knox and Joan Marmo
Margot and Danny McCaul
The Ron and Lisa Brill Family Charitable Trust

Generous support is also provided by
Alfred and Adele Davis Exhibition Endowment Fund, Anne Cox Chambers Exhibition Fund, Barbara Stewart Exhibition Fund, Dorothy Smith Hopkins Exhibition Endowment Fund, Eleanor McDonald Storza Exhibition Endowment Fund, The Fay and Barrett Howell Exhibition Fund, Forward Arts Foundation Exhibition Endowment Fund, Helen S. Lanier Endowment Fund, Isobel Anne Fraser–Nancy Fraser Parker Exhibition Endowment Fund, John H. and Wilhelmina D. Harland Exhibition Endowment Fund, Katherine Murphy Riley Special Exhibition Endowment Fund, Margaretta Taylor Exhibition Fund, and the RJR Nabisco Exhibition Endowment Fund.