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Current Exhibitions

Yayoi Kusama: Infinity Mirrors

On view through February 17, 2019

The High is proud to present the most comprehensive exhibition by Yayoi Kusama (Japanese, born 1929)—one of the twentieth century’s most influential artists—to tour North America in over twenty years.

Organized by the Hirshhorn Museum and Sculpture Garden, this show will take visitors on an expansive journey across six decades of Kusama’s creative output and will explore the development of the artist’s Infinity Mirror Rooms, her iconic, kaleidoscopic environments. The exhibition will present six of these rooms as well as sculptures, paintings, works on paper, film excerpts, archival ephemera, and additional large-scale installations that span the early 1950s to the present day. Also on view will be numerous new works by the 89-year-old artist, who remains active in her Tokyo studio.

Hours for the exhibition differ from regular museum hours. See the Infinity Mirrors exhibition schedule here.

Daily Tickets

Advance tickets for Infinity Mirrors have sold out, but there is still an opportunity to see this exhibition. Through February 17, there will be approximately 100 walk-up tickets available at the museum each day beginning one hour before the museum opens. Maximum two tickets per person.

Learn More

“One day, after gazing at a pattern of red flowers on the tablecloth, I looked up to see that the ceiling, the windows, and the columns seemed to be plastered with the same red floral pattern. I saw the entire room, my entire body, and the entire universe covered with red flowers, and in that instant my soul was obliterated and I was restored, returned to infinity, to eternal time and absolute space.”
–Yayoi Kusama

Biography
Yayoi Kusama with recent works in Tokyo, 2016
Yayoi Kusama with recent works in Tokyo, 2016. Courtesy of the artist. Art © YAYOI KUSAMA. Photo by Tomoaki Makino.

Born in 1929, Yayoi Kusama grew up near her family’s plant nursery in Matsumoto, Japan. At nineteen, following World War II, she moved to Kyoto to study a traditional Japanese style of painting known as Nihonga that is typically made on washi paper or silk. During this period, Kusama began experimenting with abstraction, though it was not until her arrival in the United States in 1957 that she embraced it fully and began the phase that would characterize her mature work. While living in New York between 1958 and 1973, Kusama worked closely with important artists of the 1960s art world—including Eva Hesse, Allan Kaprow, and Donald Judd—while refining her signature dot and net motifs, developing her soft-sculpture pieces, and creating her first installations and performance-based works. In her 1965 Infinity Mirror Room—Phalli’s Field, Kusama first used mirrors to transform the intense repetition that marked some of her earlier works into an enveloping, seemingly endless experience. The artist returned to Japan in 1973 and has continued to develop mirrored installations, expanding her earlier work into immense and often immersive environments. Today, Kusama maintains an active studio practice in Tokyo, Japan, and is widely regarded as one of the most important artists of the twentieth century.

#InfiniteKusama on Instagram

Organization and Support

Yayoi Kusama: Infinity Mirrors is organized by the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.

This exhibition is made possible by

Premier Exhibition Series Partner

Exhibition Series Sponsors

Premier Exhibition Series Supporter
The Antinori Foundation
Sarah and Jim Kennedy
Louise Sams and Jerome Grilhot

Benefactor Exhibition Series Supporter
Anne Cox Chambers Foundation

Ambassador Exhibition Supporters
Logo for Bloomberg Philanthropies.
Logo for Georgia Natural Gas.
Logo for Northside Hospital.
Tom and Susan Wardell
Rod Westmoreland

Contributing Exhibition Series Supporters
The Ron and Lisa Brill Family Charitable Trust
Lucinda W. Bunnen
Corporate Environments
Marcia and John Donnell
W. Daniel Ebersole and Sarah Eby-Ebersole
Peggy Foreman
Robin and Hilton Howell
Mr. and Mrs. Baxter Jones
Margot and Danny McCaul

Generous support is also provided by
Alfred and Adele Davis Exhibition Endowment Fund, Anne Cox Chambers Exhibition Fund, Barbara Stewart Exhibition Fund, Marjorie and Carter Crittenden, Dorothy Smith Hopkins Exhibition Endowment Fund, Eleanor McDonald Storza Exhibition Endowment Fund, The Fay and Barrett Howell Exhibition Fund, Forward Arts Foundation Exhibition Endowment Fund, Helen S. Lanier Endowment Fund, Isobel Anne Fraser–Nancy Fraser Parker Exhibition Endowment Fund, John H. and Wilhelmina D. Harland Exhibition Endowment Fund, Katherine Murphy Riley Special Exhibition Endowment Fund, Margaretta Taylor Exhibition Fund, Massey Charitable Trust, RJR Nabisco Exhibition Endowment Fund, and Dr. Diane L. Wisebram