Real Girl is one of at least a dozen drawings in which Rowe embedded a picture of herself, embracing various visible dimensions of her identity and their intersections. As she told one reporter in 1979, “I am black and I love my blackness.” Here, she has placed her signature at the literal heart of her composition under an image of herself in front of her home holding a doll. She asserts that she is a “real girl” and uses traditionally feminine forms like the color bright pink, lacy edges, flowers, and the heart arabesque to complete this valentine to herself.